Xivu Arath sits
upon her throne of bone and steel and watches two of her last knights kill each
other.
The world about
them is quiet. The stars are quiet, the galaxy is quiet, the universe is quiet.
The Hive have overcome all others and now, still driven by their endless hunger
for killing, turned their slaughter inward, until only a handful are left. This
is the shape of victory, the final shape of the universe:
A queen ruling
over an empty universe and an overflowing graveyard.
The knights are
her sons. They slash and stab and tear at one another until one falls. The
victor stands for a moment on wavering feet, and the God of War dares hope for
a moment that a challenger might rise to threaten her and give her existence
meaning once more. The blade falls from his hands, he goes down on one knee,
then crumples.
And she is
alone again.
Her worm
growls, and she thinks again about plunging a blade inside herself and cutting
it free, as her sister once tried to do. One last battle, certain to kill both
host and parasite, and wouldn’t that be delicious, for the greatest thing that
lives to kill herself on the eve of total and eternal victory.
Victory?
Victory is soot and ash. Victory is endless hunger. Victory is wishing for
death, unable to give it to yourself.
So lost in
thought is Xivu Arath that she does not notice her daughter, her last daughter
approach.
“I found a
survivor,” says the Wizard. “A single Guardian.”
Xivu Arath
stirs on her mighty throne. She remembers the Guardians, remembers annihilating
them and cracking open the Traveler and drinking the Light inside. It is an
old, old memory. None survived, none could have survived. This is the
first interesting news for ten thousand years. “Why come to me?” she asks. “You
should have killed it.”
“I could not,”
says her daughter.
“Then you are
weak. Better you had died in the attempt.”
“You do not
understand,” says the Wizard, and the God of War is stunned. None dare speak to
Xivu Arath in this fashion, not even her own blood. She is the final queen, the
master of the Final Shape, all creation bows to her. “There was—grief.
Incredible grief.”
“What do you
mean?” Xivu Arath demands of the Wizard.
But her
daughter is beyond words. She wails and raises her hands, summons her fiery
shield, then inverts it, turns it inward so that its flames consume her.
Charred tatters of her cloak fall upon the bodies of the two dead Knights.
The God of War
is intrigued, yes, even a little worried, and curious too. She cuts a wound in
the world and steps through it, onto the ground of Sol, hallowed in slaughter.
There is a
small figure perched atop a lonely snowcapped mountain. Its head is bowed,
knees drawn up to its chest and held prisoner there by the cage of its arms. It
does not raise its head as the colossus appears on its world, makes no move as
her nightmare form fills the sky and darkens the sun.
Xivu Arath has
barely stepped through when it hits her. Sorrow, utter, bottomless sorrow,
shattering grief, hammering down on her relentlessly. She staggers. The God of
War staggers, who has not so much as flinched in a million years.
She roars in
rage. And. Yes. In fear. It shakes the mountainside.
The figure
looks up and she looks into its eyes. Blindingly bright eyes. Her vision allows
her to see into the Ascendant Plane, and she sees the figure there too, and
gasps. In that Place, where the sword logic rules and death is the only
measurement of power, the tiny little Guardian is a Titan as great as she is,
anointed in slaughter as she is, and it looks back at her and the eyes are not
eyes but holes bored through the fabric of the universe. There is something
there, at the bottom of those two wells. Something horrific, something
terrifying, even to her.
“She made me
into a living weapon,” the Guardian says. Each word is a wound that will never
heal. “A perfect little weapon. And I did all the things that she made me to
do.”
She does not
understand. The words the Guardian speaks are the ones that have shaped her own
life. She, too, is dedicated to embodying a single, unbreakable purpose. So why
does she feel those words are tied to the horror that lurks within those eyes,
and the titanic sorrow she feels?
“Yes, I was
like you. A Ghost on my shoulder instead of a worm in my belly, but whispering
the same things, ‘It’s just you and me now’, pointing me and unleashing me upon
everything that opposed it. I killed the Eliksni, I annihilated the Vex, I
slaughtered the Cabal. The Hive. Uldren and his allies. Then the Guardians who
tried to stop me.”
She can feel
it. What the Guardian says is true. She can feel the blood of Oryx on its
hands, but more, yes, other great Hive (oddly familiar), Worm Gods, and still
more.
“I do not fear
you,” she declares, for she has learned all her sister’s old tricks and knows
the value of a lie. “Behold Guardian, look upon me, and know that I have slain
the universe.”
And the
Guardian speaks.
It answers.
It whispers.
It says to her:
“So have I.”
Each word is
heavier than a star. The weight of them breaks her.
“So have
I.”
The two wells
open and she sees it clearly. She sees the end of all things. A champion of the
Light, as merciless in its slaughter as any Hive god. Another universe, another
timeline, but leading to the same end—nothing. A single intelligence, utterly
alone in the cosmos forever.
“We must change
it,” the Guardian tells her. “You. And I. A universe drowning in Light ends the
same as one pitched in Dark. Together, both the Light and Dark. Together we can
stop this.”
“How?”
The Guardian
shows her. Time rewinds. A single figure falls through the loop, from here to
there, of all living things the only intelligence aware of what has happened.
“A balance. We
have to send her back.”
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